The photographer is positioned slightly to the front side of the road sign, at an angle, using a horizontal viewing perspective to evenly display the road sign and surrounding scenery. A compositional technique of division is employed, where brick walls, stone walls, trees, and the road sign naturally divide the frame into different areas, creating a visual hierarchy. A standard lens is used to clearly reproduce scene details, showcasing the authentic ambiance of Dongjiaomin Lane.

Dongjiaomin Alley – Dongjiaomin Alley Road Sign and Large Tree

The photographer uses a low-angle shot, positioning the sculpture slightly to the right in the center of the frame to emphasize the three-dimensionality of the subject. The arches and circular windows of the church building are used to create a frame, enhancing the sense of depth in the image. The foreground includes leaves on the left, and the background retains details of the architecture. It is recommended to use a telephoto lens to compress the background and make the sculpture stand out clearly. Additional experience: This church is not open outside of mass or event times, but it can be admired from the outside.

Beijing St. Michael’s Catholic Church – Archangel Statue

Place the subject in the foreground of the frame, using the street as a leading line to guide the viewer's gaze towards the church in the background. This composition creates a sense of depth while highlighting the relationship between the person and the architecture. Equipment settings: Fuji XT30II, lens 18-55. Outfit suggestions: Opt for clothing colors that coordinate with the church background, such as a black coat and a brown scarf. This will visually blend the subject with the background while keeping them prominent, avoiding overly bright or patterned attire to prevent distraction.

Dongjiaomin Alley – St. Michael’s Catholic Church by the Crosswalk