The model stands by the roadside curb, with the photographer facing the model and the building, zooming in the lens from 5 meters away for a low-angle or eye-level shot. 1. Photography equipment: Fujifilm X-H2 with a 16-55mm lens. 2. Poses for the photo: ① The model walks on the sidewalk, glancing at the camera or looking to the sides. ② The model can also sit on a roadside barrier, sit with arms crossed. 3. Suggested shooting time: It is recommended to go for the shoot between 3-4 PM when the light is soft.

Dongjiaomin Alley – Crosswalk in Front of Art Museum

Photo by Dongjiaomin Alley – St. Michael’s Church from the Roadside

Dongjiaomin Alley – St. Michael’s Church from the Roadside

1. Pay attention to leaving blank space in the sky and road, and take photos across the zebra crossing. 2. Shoot from the southwest corner of the intersection, and the group photo can capture the complete tower tip. Equipment settings: Fujifilm X-E4 with 18-55mm f2.8. Shooting time: In the afternoon, the light hits the church just right, and faces will be backlit. Other tips: You can use a flash for shooting.

St. Michael’s Cathedral – Southwest Corner of the Intersection

Under the premise of ensuring safety, the model stands on one side of the road sign while the photographer stands on the double yellow solid line in the middle of the road, zooming the lens to 1.5 times, with the subject occupying the middle and bottom two-thirds of the frame. Equipment settings: Fujifilm XT30II, lens 18-55. Photography pose: Leaning against the road sign, slightly tilting the head, and not looking at the camera.

Dongjiaomin Alley – Road Sign

1. Positioning: The photographer stands on the sidewalk directly opposite the church on the road, raising the camera high. 2. Maintaining Symmetry: The design of the main gate features symmetry, with the stone pillars on both sides and the decorations at the top presenting a balanced aesthetic. 3. Focus: The central decorative ironwork and the cross above on the gate serve as the visual focus, placed at the center of the frame to draw the viewer's attention. 4. Foreground and Background: The gate acts as the foreground, with the church's facade as the background, creating a sense of depth. Equipment Settings: Fuji XT30II, lens 18-55.

Dongjiaomin Alley – St. Michael’s Catholic Church