Using an upward angle, the photographer stands below the sundial and shoots upwards, highlighting the top dial, gnomon, and stone base. The composition features a diagonal line, with the gnomon extending diagonally to guide the viewer’s eye. The main subject, the sundial, is centered in the frame, with a clear blue sky in the background for balance. A close-up of the sundial and its stone base is captured, with a glimpse of the Forbidden City’s roof in the background to add context. A telephoto lens is used to compress the background and emphasize the texture of the sundial.

Other tips: Avoid crowds by traveling during off-peak hours.

Beijing's Palace Museum - Close-up shot of a sundial

The photographer uses an upward shooting angle and a centered composition to place the "Longzong Gate" plaque in the center of the frame. The symmetrical ceiling paintings naturally extend on both sides, highlighting the balance between the main subject and the architectural structure. The shot should include the top ceiling, the middle beam, and the plaque below, showcasing the complete internal structure.

Travel Tip: Admission is 60 RMB.

The Palace Museum - Algae Wells and Plaques

The photographer shoots the dragon pattern engraving from a high angle using a centered composition, placing the main dragon pattern in the center of the frame to highlight the主体 engraving. It is recommended to use a medium telephoto lens to clearly capture the intricate details and layers of the engraving.

The Forbidden City - Dragon Pattern Stone Carvings

For the photography setup, use a flat angle and center the composition to place the jade exhibit in the middle of the frame. The symmetrical arrangement of the jade disks and the base enhances the overall balance. Frame the shot with a simple gray background to avoid distractions and highlight the texture and details of the exhibit.

Dress suggestion: Wear a comfortable pair of shoes and be prepared to walk up to 20,000 steps.

The Palace Museum - Changze Gate Jade Exhibition

The photographer is positioned below the Wenhua Hall,拍摄采用仰拍角度和三分法构图。The "Wenhua Hall" plaque occupies the right one-third of the frame, while leaves are on the left side. Using a standard lens, the spatial relationship between the plaque and the leaves is realistically portrayed, ensuring a harmonious proportion between the architectural details and natural elements.

Additional tips: Some palaces in the Forbidden City may be temporarily closed or under renovation occasionally. Please refer to the actual opening status on the day of your visit.

Imperial Palace Wenhua Hall - Plaque and Leaves in the Same Frame

Photo by The Forbidden City - Taking a photo with the palace's architectural railings and stone steps.

The Forbidden City - Taking a photo with the palace's architectural railings and stone steps.

Photo by The Forbidden City - Architectural Eaves and Yellow Leaves

The Forbidden City - Architectural Eaves and Yellow Leaves

Photo by The Forbidden City - Taking Photos with the Red Walls and Architecture

The Forbidden City - Taking Photos with the Red Walls and Architecture

Photo by The Forbidden City - Xihua Plaque and Ginkgo Tree Branches

The Forbidden City - Xihua Plaque and Ginkgo Tree Branches

Photo by The Forbidden City - Meridian Gate Plaque Architecture

The Forbidden City - Meridian Gate Plaque Architecture