The photographer should position themselves directly below the sundial, looking up to fully capture the sundial against the blue sky. Place the sundial at the center of the frame to highlight the main subject, emphasizing its outline and shape. It is recommended to use a standard lens to accurately reproduce the proportions and details of the sundial, clearly showing the dial face, gnomon, and base structure, ensuring natural perspective and clear information. Travel Tip: The admission fee is 60 RMB per person.

The Palace Museum - Sundials and the Sky

Photo by The Forbidden City - Taking a photo with the palace complex

The Forbidden City - Taking a photo with the palace complex

The photographer should use a level shooting angle to highlight the main subject, enhancing the interactive feel. The background should retain the blue glass partition and indoor environment, with the stone ground at the bottom appropriately included to emphasize the layers between the subject and the surroundings. Travel Tip: The attraction is free, but reservations are required seven days in advance.

National Museum of China - Taking a Photo with Taihu Stone and Bamboo Exhibits

Photo by The Forbidden City - Blue Plaque Architecture

The Forbidden City - Blue Plaque Architecture

The model stands behind the tiles, and the photographer stands two arms' length away, trying either a 1x or wide-angle lens for the shot. 1. Photo Pose: Looking at or away from the camera is fine; the model is very friendly. 2. Outfit Suggestions: A simple and clean look is recommended.

Dongsi Hutong Museum - Transparent Tiles

Photo by National Museum - Close-up of the internal cylindrical steel frame structure.

National Museum - Close-up of the internal cylindrical steel frame structure.

The model stands in the center of the frame on an open ground between a red wall and green trees, using a centered composition to highlight the subject. The photographer shoots at eye level, capturing the red wall, the roof of an ancient building, and the green trees above. The foreground includes stone bricks to enhance the sense of depth.

Temple of Heaven Park - Red Architecture and Green Trees

The model stands beside a stone wall, positioned at the one-third mark on the right side of the frame. The photographer uses a high-angle shot and the rule of thirds to highlight the integration of the model with the environment. The composition should include the foreground stone wall, the red wall in the background, and the river, with tree branches overhead to add depth. The model holds a fan naturally by her side, leaning against the stone wall in a relaxed pose. Travel Tip: It is recommended to book tickets one week in advance.

The Forbidden City - Take a photo with the low brick walls and branches against the red walls.

The photographer uses a centered composition, placing the ornament in the middle of the frame to fully display the branches and the base with the text "February · Apricot Blossom," highlighting the symmetrical beauty and details. A plain brown background is chosen to avoid distractions, and the shot includes the entire ornament and its transparent base. It is recommended to use a standard focal length to ensure the clarity of the glass-like texture and the text.

National Museum of China - February Apricot Blossom Glazed Artworks

The photographer uses a medium telephoto lens to capture the red walls, green tiles, and upturned eaves, showcasing the exquisite design of the Imperial Vault of Heaven at the Temple of Heaven. Travel Tip: Admission to the Imperial Vault of Heaven is not sold separately; you need to purchase a ticket to the Temple of Heaven Park. The park entrance fee is 15 RMB per person during peak season and 10 RMB per person during off-season.

The Temple of Heaven - The Hall of Supreme Harmony with red walls and green tiles.